Compensating

20 Feb

Last week we talked about parallel parking a car — or in my case, not parallel parking the thing — and how, if we don’t know a specific skill, we can frequently compensate by doing things another way.

Are you afraid of hands, feet, or faces? You don't have to be. Grace by Steve Henderson

Are you afraid of hands, feet, or faces? You don’t have to be. Grace by Steve Henderson

But sometimes, compensating doesn’t work, and if you, in your artwork, have reached the point of frustration that you just can’t draw a human figure to look like something other than a space alien, of if your still-life flowers look dead, or whatever it is that is driving you to distraction, then it’s time to admit that you don’t know how to do this, what you’ve been doing up to this point isn’t working, and it’s time to move forward in the matter.

So, where do you move?

The initial solution is to take a class, but there are lots of other options. My favorite, hands down, is finding an artist whose work you like and asking him or her if they will 1) teach you or 2) review your work and give some suggestions, this latter being called a consultation.

Before we move on, let me talk about that word “giving” back there, as in “giving some suggestions.”

By all means, plan to pay this artist for his or her time; many artists offer classes or portfolio reviews, and the best way to find out if the artist you’re interested in does this kind of thing is to ask.

Can you afford this? Yeah, probably. We’ll talk about this next week.

We do consultations and online lessons at Steve Henderson Fine Art, and as with everything we do, we customize, communicate, and keep flexible.

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